Wilmington, Del. (July 25, 2023) – The Delaware Division of the Arts’ Mezzanine Gallery presents Hannah Whiddon’s exhibition, “Between Light & Shadow,” running August 4-25, 2023.  Guests are invited to attend a Meet-the-Artist Reception on Friday, August 4 from 5:00-7:00 p.m.

Drawing inspiration from the beauty inherent in everyday life and the human form, Whiddon’s paintings transcend specific places and times, evoking feelings and memories rather than representing them. Her pieces celebrate human sensuality, employing compelling subjects, a vibrant palette, and bold, painterly textures.

Hannah Whiddon’s artistic journey has included participation in several exhibitions in the mid-Atlantic region. Her talent was showcased in the esteemed Sarah Silberman Art Gallery in 2016, and she further distinguished herself with a solo exhibition at the Baltimore Art Gallery in 2020, featuring a captivating collaboration with Charmed Kitchen.

In 2022, her evocative work earned her a place at the Hunt & Lane Gallery in Rehoboth Beach, and she continued to make an impact on the local art scene with a group pop-up show organized by the Village Improvement Association. Whiddon was awarded a Delaware Division of the Arts Artist Opportunity Grant in 2022 and was selected for the first-ever Artist Career Development Pilot Program cohort in 2023.

“Between Light & Shadow” showcases the artist’s profound understanding of the interplay between light and darkness. Each painting is a testament to her skillful brushwork, texture, and composition, masterfully highlighting the allure of her subjects while invoking contemplation and introspection. The exhibition presents a variety of works, some featuring dramatic scenes where shadows elongate and intertwine, imbuing a sense of mystery and intrigue. Other pieces gracefully capture the delicate balance between light and shadow, artfully representing the ephemeral nature of the world around us.

The Mezzanine Gallery, open weekdays from 8:00 a.m. to 4:30 p.m., is located on the second floor of the Carvel State Office Building, 820 N. French Street, Wilmington.

Image: Hannah Whiddon, “Kick” (2023), acrylic, 18”x24”.

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Contact: Andrew Truscott, Program Officer, Marketing and Communications

302-577-8280, andrew.truscott@delaware.gov

The Delaware Division of the Arts, a branch of the Delaware Department of State, is dedicated to cultivating and supporting the arts to enhance the quality of life for all Delawareans. Together with its advisory body, the Delaware State Arts Council, the Division administers grants and programs that support arts programming, educate the public, increase awareness of the arts, and integrate the arts into all facets of Delaware life. For more information about the Delaware Division of the Arts, visit arts.delaware.gov or call 302-577-8278.

On view from February 3-23, 2023

Wilmington, Del. (January 25, 2023) – The Delaware Division of the Arts’ Mezzanine Gallery presents 2022 DDOA Individual Artist Fellow Roger Matsumoto’s exhibition, “Printing with Palladium”, running February 3-24, 2023. Guests are invited to attend a Meet-the-Artist Reception on Friday, February 3 from 5:00-7:00 p.m.

Roger Matsumoto has been involved with photography since he learned the basics during his junior high school days. The photographer for his school newspaper, Matsumoto also did astrophotography using an 8-inch telescope that he made. But “I did not consider what I was doing to be any form of art.” It was only later – on a climbing trip to Yosemite during college – that he “purchased a small booklet of Ansel Adams photographs that made me see what photography was capable of.”

He then began to study seriously, taking a photography class at the University of Utah. After exploring silver printing and some “alternative” processes during the 1970s (including Cibachrome color work), Matsumoto discovered printing with palladium, now his primary process. Since he began exhibiting in 1982, his work has been seen in over 200 shows, including at the Fleischer Art Memorial (Philadelphia), Foundry Art Center (St. Louis, MO), Delaware Art Museum (Wilmington), and the London (England) Camera Club, where his print won first prize. Matsumoto also has prints in the collections of the Free Library of Philadelphia, Utah Museum of Fine Art, and Philadelphia Museum of Art (three prints).

Though Ansel Adams’ photographs were the pivotal inspiration for his work and his artistic practice, Matsumoto was also influenced by the work of Karl Blossfeldt and Brett Weston. His current process “extends the purely photographic image with brushed lines or areas” applied at the same time as the palladium coating, making each print a “distinct realization of the negative” – a monoprint. Matsumoto is also exploring a new series called “Stereo Pair” that mimics the stereo cards popular at the end of the 19th century.

The Newark resident was born in Honolulu, Hawaii. His father was in the Army, and (with his mother and sister) Matsumoto lived in Tokyo for three years as a child in a U.S. military housing base. The family eventually relocated to the Pacific Northwest, and Matsumoto lived in the Seattle region until after graduate school. He then moved to Salt Lake City. He came to Delaware from Salt Lake City and has lived here since 1988, “the longest I’ve been in one place.”

Matsumoto’s palladium images are almost exclusively of botanical subjects. He can make negatives at any time during the year, but “I print in palladium only in the winter when the humidity is low.” This means that often months elapse between creating the negative and printing it. The pandemic, “while not actually a complete re-set of my past practice,” allowed him to try out new films. But there’s been a recent spike in the cost of palladium (and all art supplies), and Matsumoto is also challenged by the “changes made in the materials I use.” However, he’s looking forward to exhibiting again. “These prints need to be seen in person, not only on a monitor or cell phone screen.”

The Mezzanine Gallery, open weekdays from 8:00 a.m. to 4:30 p.m., is located on the second floor of the Carvel State Office Building, 820 N. French Street, Wilmington.

Image: “16-13a”. Palladium Monoprint. 12″x20″. 2016.

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Contact: Andrew Truscott, Program Officer, Marketing and Communications

302-577-8280, andrew.truscott@delaware.gov

The Delaware Division of the Arts, a branch of the Delaware Department of State, is dedicated to cultivating and supporting the arts to enhance the quality of life for all Delawareans. Together with its advisory body, the Delaware State Arts Council, the Division administers grants and programs that support arts programming, educate the public, increase awareness of the arts, and integrate the arts into all facets of Delaware life. For more information about the Delaware Division of the Arts, visit arts.delaware.gov or call 302-577-8278.

On view from December 2-30, 2022

Wilmington, Del. (November 29, 2022) – The Delaware Division of the Arts’ Mezzanine Gallery presents 2022 DDOA Individual Artist Fellow t.a. hahn’s exhibition, “Peace Taking Flight”, running December 2-30, 2022. Guests are invited to attend a Meet-the-Artist Reception on Friday, December 2. from 5:00-7:00 p.m.

After a four-decade career as a senior art and design director in marketing and advertising, t. a. hahn (of Middletown) has returned full-time to his lifelong passion – creating fine art. An alumnus of Philadelphia’s University of the Arts, hahn studied both fine arts and graphic design and chose design as a career path. He always “enjoyed the problem-solving aspect of design” – and still does – but his renewed studio practice has led to the work that garnered a Division Fellowship.

Titled Peace Taking Flight, the artist has created a series that has “taken flight.” The collection was first inspired by a single bird, “a cedar waxing that visits the trees just outside our windows for only a few weeks each summer.” Each of hahn’s avian-inspired pieces – whether small or large – combines wood (some found, some sourced, some rustic, some refined) and oil painting (generally on gesso board), often elevated by subtle LED lighting.

Early in the series, hahn used live-edge slabs, but he has recently introduced driftwood and is also exploring salvage from a 200-year-old building near his Middletown home. Born in Mississippi, the artist grew up in a family of six (parents and three siblings) in South Jersey, where he continued to live and work for much of his career. Five years ago, hahn and his wife (photographer Barb Scalzi) moved to Delaware, a locale from which he can readily source his wood statewide or on Maryland’s Chesapeake Bay shores.

Not surprisingly, hahn was influenced early on by Jasper Johns (“a graphic designer in his early years!”) and major American modernists like Alexander Calder and Mark Rothko. He also studies the works of contemporary sculptors, realist and abstract. Working in abstraction himself, hahn notes that “abstract art can be difficult for the general public,” but he believes they need to know only two things – whether they like or dislike it and that they don’t have to understand or explain their reaction, having “simply the freedom to enjoy (or not) what they are viewing.”

The artist has affiliations with the Delaware Contemporary, Philadelphia Sculptors, Noyes Museum (at New Jersey’s Stockton University), the International Sculpture Center, and the Gilbert W. Perry, Jr. Center for the Arts (aka “The Gibby”) in his hometown. His works have been widely exhibited (locally, regionally, and nationally) in over 60 solo and group shows at scores of venues, including Philadelphia Sculptors and Grounds for Sculpture (in New Jersey).

He constantly explores “the harmony of nature and the essence of the wild birds” to inform and inspire his works – finding driftwood, visiting mills, and researching avian color and beauty. His art “has always generated a sense of peace for me,” and hahn is rewarded when he completes a satisfying piece. “Icing on the cake is when others enjoy your work.”

This exhibit in the Mezzanine Gallery will display the full range of works in this series – small & large free-standing sculptures along with wall-reliefs, live-edge and dimensional woods, ‘found’ driftwood natural woods, and some use LED lighting for a subtle presence. Each piece hopefully will shine a little peace for the viewer’s experience.

The Mezzanine Gallery, open weekdays from 8:00 a.m. to 4:30 p.m., is located on the second floor of the Carvel State Office Building, 820 N. French Street, Wilmington.

Image: “Violet-green Swallow,” 2019, Oil on gessobord, tasmainian blackwood, green LED lighting, 25.5″w x 72.5″h x 2″d

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Contact: Andrew Truscott, Program Officer, Marketing and Communications

302-577-8280, andrew.truscott@delaware.gov

The Delaware Division of the Arts, a branch of the Delaware Department of State, is dedicated to cultivating and supporting the arts to enhance the quality of life for all Delawareans. Together with its advisory body, the Delaware State Arts Council, the Division administers grants and programs that support arts programming, educate the public, increase awareness of the arts, and integrate the arts into all facets of Delaware life. For more information about the Delaware Division of the Arts, visit arts.delaware.gov or call 302-577-8278.

On view from November 4-25, 2022

Wilmington, Del. (November 3, 2022) – The Delaware Division of the Arts’ Mezzanine Gallery presents 2022 DDOA Individual Artist Fellow Maia Palmer’s exhibition, “Making the Invisible, Visible”, running November 4-25, 2022. Guests are invited to attend a Meet-the-Artist Reception on Friday, November 4, from 5:00-7:00 p.m. (There will be student performance at 5pm from the strings majors at Cab Calloway School of the Arts, with special thanks to educator Julie Murphy).

Maia Palmer was born in Wilmington, Delaware in 1980. She works primarily in acrylics and charcoal, and has also created community murals, digital works, and figurative sculptures. Palmer earned a BFA from Carnegie Mellon University and an MFA from Washington University in St. Louis. She has exhibited nationally as well as internationally in Spain, Germany, and China. Palmer has lived all around the globe and is interested in capturing the unique spirit of each location that she experiences. To read more about Maia and her history, click here for a link to her fellowship page.

Committed to “being a positive force for social change,” Palmer is the high school visual arts teacher at Cab Calloway School of the Arts. She feels strongly about teaching there, saying “I am a product of public school and I want to be part of rebuilding its strength.” One of the most exciting aspects of receiving the Fellowship is “the recognition of my work” and the ability to further its scope and her goal to “help amplify the voices of those who are not always heard.”

Making the Invisible, Visible features a series of migraine self-portraits documenting Palmer’s experiences as a migraineur over the past 15 years. To be clear, migraine is a neurological disease, one that is debilitating and painfully real. Yet it is frequently referred to as an “invisible illness,” as there are often no visible symptoms. Women in particular are subject to dismissive treatment because of this, as Palmer has experienced first-hand.

With these works, Palmer examines her relationship with migraine. She merges autobiographical experiences with imagery and text laden with both historical and personal value. Each of these images captures a real, private moment that she has in fact experienced – from hiding under blankets to wearing hand-made ‘migraine boxes’. She says, “Creating these drawings is a visceral process of acknowledging the larger than life physical and emotional pain that migraine has caused in my life – as well as the emotional and physical growth it has helped me accomplish. I am ultimately a stronger person as I emerge on the other side of chronic migraine, cherishing every moment and delighting in our capacity as humans to overcome and endure.”

Navigating her own experiences, Palmer has embodied the physical and mental trauma of this illness by manipulating surfaces and materials to simulate the experience of a migraine – the tearing of paper, or the piercing of a surface with needle and thread. By making visible the invisible trauma of migraine, she aims to bring awareness to this consistently under-funded, chronically misunderstood disease.

The Mezzanine Gallery, open weekdays from 8:00 a.m. to 4:30 p.m., is located on the second floor of the Carvel State Office Building, 820 N. French Street, Wilmington.

Image: “Splitting Headache,” 2021, charcoal on paper, 50″ x 38″

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Contact: Andrew Truscott, Program Officer, Marketing and Communications

302-577-8280, andrew.truscott@delaware.gov

The Delaware Division of the Arts, a branch of the Delaware Department of State, is dedicated to cultivating and supporting the arts to enhance the quality of life for all Delawareans. Together with its advisory body, the Delaware State Arts Council, the Division administers grants and programs that support arts programming, educate the public, increase awareness of the arts, and integrate the arts into all facets of Delaware life. For more information about the Delaware Division of the Arts, visit arts.delaware.gov or call 302-577-8278.

On view from October 7-28, 2022

Wilmington, Del. (October 3, 2022) – The Delaware Division of the Arts’ Mezzanine Gallery presents 2022 DDOA Individual Artist Fellow Joseph Barbaccia’s exhibition, Polymer Paintings, running October 7-28, 2022. Guests are invited to attend a Meet-the-Artist Reception on Friday, October 7, from 5:00-7:00 p.m.

All his life, Joseph Barbaccia has been inspired by color and form. He was drawn to their motivating force even before his artistic inclinations and aspirations were clear to him. There were no artists among his extended family or their friends, but “at church on Sundays, I remember always wanting to sit in a pew the had a stained-glass window at the end in order to enjoy the colors close up,” as he studied the statues and the bas-reliefs on the walls.

Barbaccia was born in Philadelphia, but when he was a toddler, the family moved to rural New Jersey. He began drawing in earnest when he was six, at first to capture the attention of his second-grade teacher, whom he admired. But soon his family began to take notice. “Since then, except for six months in 1979 when I took a motorcycle trip [out west], I never stopped making images.” After taking classes at Philadelphia’s Tyler School of Fine Arts, Barbaccia traveled through the United States and the South Pacific, drawing and painting in a “mostly representational style.” In 1996 he settled in Potomac Falls, Virginia, where over the next two decades his experiments with encaustics, freestanding sculpture, and mixed media gained increasing attention and recognition.

The prolific artist has exhibited widely – over 35 group shows and 10 solo exhibitions – in galleries and major venues throughout the East Coast and the mid-Atlantic, including the Greater Reston Art Center, Delaware Contemporary, Rehoboth Art League, and Washington’s Corcoran Gallery. He’s been the subject of dozens of articles and reviews, both as an artist and as an illustrator with three published children’s picture books (and a fourth underway).

Barbaccia had always had a large studio, but in 2018 he and his wife (also an artist) moved to Georgetown, Delaware, where his workspace was smaller. Realizing “I would have to change my materials and methods to accommodate the new reality,” he landed on polymer clay as “the perfect choice.” The material – with its transparency and a full color spectrum – allows him to create in both two and three dimensions. It led Barbaccia in a new direction. “Approximately 90% of the artists creating with polymer clay create jewelry. I thought the time was right to expand its visual range.”

As well as inspiring Barbaccia, working with polymer clay has challenges. Using atypical art materials, “I sometimes come up against limiting parameters in applications to shows or competitions . . . [including] a list of accepted materials that doesn’t include polymer clay.” And the pandemic has led to a scarcity of his chosen material. But he continues to push against these and other constraints and revels in “showing and sharing my work.”

The Mezzanine Gallery, open weekdays from 8:00 a.m. to 4:30 p.m., is located on the second floor of the Carvel State Office Building, 820 N. French Street, Wilmington.

Image: “Avatar,” 2021, polymer clay, 20 x 14 x .1 inches

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Contact: Andrew Truscott, Program Officer, Marketing and Communications

302-577-8280, andrew.truscott@delaware.gov

The Delaware Division of the Arts, a branch of the Delaware Department of State, is dedicated to cultivating and supporting the arts to enhance the quality of life for all Delawareans. Together with its advisory body, the Delaware State Arts Council, the Division administers grants and programs that support arts programming, educate the public, increase awareness of the arts, and integrate the arts into all facets of Delaware life. For more information about the Delaware Division of the Arts, visit arts.delaware.gov or call 302-577-8278.